Write the first paragraph of your article here.
Section heading[edit | edit source]
Write the first section of your article here.
Personality[edit | edit source]
Matt Deckard is first introduced as a man who lives in total abstinence in order to keep out of trouble. Having a history of bad tempers, wild drinking and wild love affairs (as well as a mysterious, but seemingly significant, incident involving his father, briefly mentioned in he lives completely denying himself even a taste of what he refers to as "the fire". During this time he appears to be a tortured soul who is afraid even to rev the engine of his Mustang or grow his hair, all the while trying to not 'let the monster out.'
After being duped and betrayed , he develops a new, nihilistic outlook on life. After killing , he constantly refers to himself as a dead man, hinting that he no longer lives the life he had prior to Ava's reappearance. The new Matt Deckard, possibly the 'monster' he had tried to restrain, is far more confident in his self worth and more at ease with allowing himself to indulge in pleasures and whims. There are times when this new Matt Deckard is shown as being insane or at least not all there, most likely a result of Ava's influence and betrayal, it is most notable during the conversation between himself and the recently deceased Jackie Boy. Dwight also appears completely aware of his problems.
At all times Dwight is a model of chivalry (despite his nihilism), treating all women, especially the prostitutes of Old Town, with the utmost respect and offering them his protection. His passion for romance runs deep and a woman in need of help is the trigger for his involvement in all the stories he stars in. Miller, on the special 2-Disc Sin City DVD has stated he is the story's "everyman": Rather than a juggernaut like Marv or a righteous force like John Hartigan, Dwight is simply someone who tries to do the right thing and find his place in the world. He also, in explaining the character to actor Clive Owen, described Dwight as a modern iteration of Philip Marlowe.