Template:DC Database:Location Template

For the novel of the same name, see Pellucidar (novel).

Template:Infobox fictional locationPellucidar is a fictional Hollow Earth invented by Tarzan creator Edgar Rice Burroughs for a series of action adventure stories. In a notable crossover event between Burroughs' series, there is a Tarzan story in which the Ape Man travels into Pellucidar. The stories initially involve the adventures of mining heir David Innes and his inventor friend Abner Perry after they use an "iron mole" to burrow 500 miles into the Earth's crust. Later protagonists include indigenous caveman Tanar and additional visitors from the surface world, notably Tarzan, Jason Gridley, and Frederich Wilhelm Eric von Mendeldorf und von Horst. [1] 


In Burroughs' concept, the Earth is a hollow shell with Pellucidar as the internal surface of that shell. Pellucidar is accessible to the surface world via a polar opening allowing passage between the inner and outer worlds[2] through which a rigid airship visits in the fourth book of the series.[3] Although the inner surface of the Earth has an absolute smaller area than the outer, Pellucidar actually has a greater land area, as its continents mirror the surface world's oceans and its oceans mirror the surface continents. A peculiarity of Pellucidar's geography is that due to the concave curvature of its surface there is no horizon; the further distant something is, the higher it appears to be, until it is finally lost in the atmospheric haze. Pellucidar is lit by a miniature sun suspended at the center of the hollow sphere, so it is perpetually overhead wherever one is in Pellucidar. The sole exception is the region directly under a tiny geostationary moon of the internal sun; that region as a result is under a perpetual eclipse and is known as the Land of Awful Shadow. This moon has its own plant life and (presumably) animal life, and hence either has its own atmosphere or shares that of Pellucidar. The miniature sun never changes in brightness, and never sets; so with no night or seasonal progression, the natives have little concept of time. The events of the series suggest that time is elastic, passing at different rates in different areas of Pellucidar and varying even in single locales.  Also, several characters from the outer world who have lived a long time in Pellucidar seem to age slowly and exhibit considerable longevity.  This is known through their interactions with people of the outer world where time remains fixed. 


Pellucidar is populated by primitive people and prehistoric creatures, notably dinosaurs. The region in which Innes and Perry initially find themselves is ruled by the cities of the Mahars, intelligent flying reptiles resembling Rhamphorhynchus with dangerous psychic powers, who keep the local tribelets of Stone Age human beings in subjugation.[4] Innes and Perry eventually unite the tribes to overthrow the Mahars' domain and establish a human "Empire of Pellucidar" in its place.[5] While the Mahars are the dominant species in the Pellucidar novels, they seem confined to their handful of cities. Before their overthrow they use the Sagoths (a race of gorilla-men who speak the same language as Tarzan's apes)[3] to enforce their rule over the human tribes within the area which they rule.[4][5] Though Burrough's novels suggest that the Mahar realm is limited to one relatively small area of the inner world, John Eric Holmes' authorized sequel Mahars of Pellucidar indicates there are other areas of Mahar domination. Within and outside the Mahars' domain are scattered independent human cultures, most of them at the stone age level of development. Technically more advanced exceptions include the Korsars (corsairs), a maritime raiding society descended from surface-world pirates,[2] and the Xexots, an indigenous Bronze Age civilization.[6] All or most of the human inhabitants of Pellucidar share a common world-wide language. 

==Points of InterestEdit

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Pellucidar wildlifeEdit

Various animals reside in Pellucidar, primarily prehistoric creatures extinct on the outer world; others are Burroughsian inventions. They are listed below by outer world name (if known), Pellucidarian name (if known), and the book in which they first appear, along with any relevant comments.

  • Ant Bear - A huge edentate mammal that preys on the Giant Ants. It has no outer world equivalent and it's Pellucidarian name unknown. * Antelope -  Pellucidarian name unknown. It first appeared in At the Earth's Core
  • Archaeopteryx -  Pellucidarian name unknown. It appeared in Tarzan at the Earth's Core
  • Aztarag - A sea creature. Pellucidarian name for an unidentified outer world equivalent. 
  • Cave Bear (Ryth) - It first appeared in At the Earth's Core
  • Cotylosaurus (Gorobor) - Giant lizards that serve as the Horibs' mode of transportation. It first appeared in Tarzan at the Earth's Core 
  • Deinotherium - Pellucidarian name unknown. It first appeared in Tarzan at the Earth's Core
  • Diplodocus (Lidi) - It first appeared in At the Earth's Core
  • Dire Wolf (Codon) - It first appeared in At the Earth's Core
  • Giant Ants - no outer world equivalent - Pellucidarian name unknown.
  • Hydrophidian - A giant sea snake that is designated by Burroughs. Neither the actual outer world or Pellucidarian equivalent are known. 
  • Phorusrhacos (Dyal) - It first appeared in Tarzan at the Earth's Core
  • Plesiosaurus - (Tandoraz, Ta-ho-az) - The two Pellucidarian names refer to larger and smaller varieties.
  • Pterodactyl (Thipdar) - It first appeared inAt the Earth's Core 
  • Rhamphorhynchus (Mahar) - An oversized, intelligent variety (see Mahars, under Races). It first appeared in At the Earth's Core. * Smilodon (Tarag) -  
  • Stegosaurus (Dyrodor) - A carnivorous variety, able to manipulate its back plates to allow it to glide. 
  • Trodon - Pellucidarian name for a creature with no outer world equivalent. The Trodon are dragon-like flying reptiles with pouches similar to those of marsupials. Not to be confused with the Troodon, an actual outer world extinct dinosaur. It first appeared in Back to the Stone Age
  • Troodon - Pellucidarian name unknown. 


Pellucidar also harbors enclaves of various nonhuman or semi-human races. Among the known races in Pellucidar are: * The Ape Men - A race of black ape-like creatures with prehensile tail and are arboreal.[4] 

  • The Azarians - A race of primitive man-eating giants.[7]
  • The Beast-Men - The Beast-Men (also called Brute-Men) are peaceful gorilla-like farmers. They are sometimes called "Gorilla-Sheep" for the sheep-like appearance of their faces.
  • The Coripies - A subterranean race that are also known as the Buried People. The Coripies are a race of short eyeless carrion-eaters.[2] 
  • The Ganaks - A race of horned bison men. They sometimes capture humans for their cruel sacrificial rites.[8] 
  • The Gorbuses - A subterranean race of cannibalistic albinos who are apparently resurrected surface-world murderers.[8] 
  • The Sabertooth Men - A race of cannibalistic black ape-like creatures with prehensile tails and dagger-like tusks.

The novelsEdit

  1. At the Earth's Core (1914)# Pellucidar (1915)# Tanar of Pellucidar (1929)# Tarzan at the Earth's Core (1929)# Back to the Stone Age (1937)# Land of Terror (1944)# Savage Pellucidar (1963
  2. ======Sequels by John Eric Holmes======

John Eric Holmes's Mahars of Pellucidar was a sequel to Burroughs' Pellucidar novels authorized by the Burroughs estate. Publication of Holmes' follow-up novel, Red Axe of Pellucidar, reportedly ready for print in 1980, was supposedly blocked by the estate, and only saw print much later in a limited private edition.[9] # Mahars of Pellucidar (1976)# Red Axe of Pellucidar (1993)

Tarzan: The Epic AdventuresEdit

In the 1996 novel Tarzan: The Epic Adventures by R. A. Salvatore, Pellucidar is featured in the later part of the story. The book is based on the teleplay for the TV pilot of the series Tarzan: The Epic Adventures by Burt Armus. The story is inspired by the Return of Tarzan and Tarzan at the Earth's Core.[10] 

In other mediaEdit

Pellucidar has appeared in one movie adaptation. The first novel was filmed as At the Earth's Core (1976), directed by Kevin Connor and starring Doug McClure as David Innes and Peter Cushing as Abner Perry.[11] Pellucidar appears in the Tarzan, Lord of the Jungle episode "Tarzan at the Earth's Core." The 1996 pilot to the TV series Tarzan: The Epic Adventures also features Pellucidar, as well as the character Jana from the book Tarzan at the Earth's Core. This story also features a race of Mahars able to transform into humanoid form.Template:Citation needed Pellucidar appears in a few episodes of the Disney cartoon series The Legend of Tarzan, loosely inspired by Tarzan at the Earth's Core. In the show, however, Pellucidar is merely described as being a region below Africa where dinosaurs still live. None of the characteristics of it described in the novels are seen.Template:Citation needed The hollow interior of the Earth seen in Journey to Middle Earth by The Asylum bears some similarity to Pellucidar, although the film was intended as a film adaptation of a novel by Jules Verne.Template:Citation needed Pellucidar is revisited by Tarzan and is the central location of the Dark Horse Comics crossover Tarzan vs. Predator at the Earth's Core, where Tarzan faces off against the alien Predator species. 


Pellucidar was the major inspiration for Lin Carter's Zanthodon novels of the late 1970s and early 1980s, set in the vast cavern of Zanthodon beneath the Sahara Desert.[12] 

The Hollow Earth milieu of Skartaris in the Warlord series of comic books by Mike Grell, published from 1976–1989, is essentially a translation of Pellucidar into the graphic medium, with the admixture of magic and elements of the Atlantis myth.[13] 

The concept of Terra-Prime,is partially inspired by both Pellucidar and the Hyborean Age,with mixtures of Barsoom,Dune,Tatooine,the Death-Star,Correscant,Krypton, In James P. Blaylock's The Digging Leviathan (1984), a pair of rival scientific teams compete to reach Pellucidar; the story concludes before the goal is attained.Template:Citation needed

Blaylock's Zeuglodon revisits the Pellucidar theme, when a group of children attempt to rescue Giles Peach, one of the characters traveling to Pellucidar in The Digging Leviathan.

In John Crowley's Little, Big (1981), a drug named Pellucidar is mentioned and appears to have an exhilarating and even aphrodisiac effect.Template:Citation needed 

A tribute story, Maureen Birnbaum at the Earth's Core, appeared in Maureen Birnbaum, Barbarian Swordsperson.[14] During the initial explorations of Lechuguilla Cave in the late 1980s, a chamber was named "Pellucidar" in honor of these stories.Template:Citation needed 

In Philip Jose Farmer's "Riders of the Purple Wage", there is a concept known as "the Pellucidar Breakthrough"Template:Citation needed In the Tunnels Series, the Garden of the Second Sun is strongly based on Pellucidar. Template:Citation needed

See alsoEdit

  1. Pulpdom, Nos. 64, 65, 66, 67, April, June, August, October, "Pellucidar Revisited" by Mike Taylor, published by Camille Cazedessus,
  2. 2.0 2.1 2.2 2.3 Burroughs, Edgar Rice (1930). Tanar of Pellucidar. New York: Metropolitan.
  3. 3.0 3.1 3.2 3.3 Burroughs, Edgar Rice (1930). Tarzan at the Earth's Core. New York: Metropolitan.
  4. 4.0 4.1 4.2 4.3 4.4 Burroughs, Edgar Rice (1922). At the Earth's Core. Chicago: A. C. McClurg & Co., passim.
  5. 5.0 5.1 5.2 5.3 Burroughs, Edgar Rice (1923). Pellucidar. Chicago: A. C. McClurg & Co., passim.
  6. Burroughs, Edgar Rice (1963). Savage Pellucidar. New York: Canaveral Press.
  7. Burroughs, Edgar Rice (1944). Land of Terror. Tarzana, CA: Edgar Rice Burroughs, Inc.
  8. 8.0 8.1 Burroughs, Edgar Rice (1937). Back to the Stone Age. Tarzana, CA: Edgar Rice Burroughs, Inc.
  9. Martin, John. "John Eric Holmes: Mahars of Pellucidar and Red Axe of Pellucidar".
  10. Salvatore, R.A. " Tarzan: The Epic Adventures".
  11. Template:Imdb title
  12. Valdron, Den. "Lin Carter's Literary Pellucidar"
  13. Brian Cronin, 2006, "Comic Book Urban Legends Revealed #54!" (archive)
  14. Contents listing for first edition of Maureen Birnbaum, Barbarian Swordsperson at the Internet Speculative Fiction Database
 ====External links====

Template:Infobox bookPellucidar is a 1915 fantasy novel by Edgar Rice Burroughs, the second in his series about the fictional "hollow earth" land of Pellucidar. It first appeared as a four-part serial in All-Story Weekly from May 8–29, 1915. It was first published in book form in hardcover by A. C. McClurg in September, 1923. A map by Burroughs of the Empire of Pellucidar accompanied both the magazine and book versions.

 ==Plot summary==Edit

David Innes and his captive, a member of the reptilian Mahar master race of the interior world of Pellucidar, return from the surface world in the Iron Mole invented by his friend and companion in adventure Abner Perry. Emerging in Pellucidar at an unknown location, David frees his captive. He names the place Greenwich and uses the technology he has brought to begin the systematic exploration and mapping of the unknown land while searching for his lost companions, Abner, Ghak, and Dian the Beautiful. He soon encounters and befriends a new ally, Ja the Mezop of the island country of Anoroc; later he finds Abner, from whom he learns that in his absence the human revolt against the Mahars has not been going well. 
 In a parlay with the Mahars David bargains for information of his love Dian and his enemy Hooja the Sly One, which his foes agree to supply in return for the book containing the Great Secret of Mahar reproduction that David stole and hid in the previous novel. David undertakes to recover it, only to find that Hooja has been there before him and claimed Dian as his own reward of the Mahars! Now he has to track down and defeat the sly one before resuming the human war of independence. Ultimately this is accomplished, and with the aid of the resources David has brought from the surface world he and Abner succeed in building a confederacy of human tribes into an "Empire of Pellucidar" that wipes out the Mahar cities and establishes a new human civilization in their place. 


Galaxy reviewer Floyd C. Gale, discussing the 1962 reprint, noted that the novel's "scientific" background was "hard swallowing," but nevertheless praised the novel, saying "once Burroughs establishes his background, his reader has no time to quibble."


Official Edgar Rice Burroughs Tribute and Weekly Webzine Site  Since 1996 ~ Over 10,000 Web Pages in Archive  Volume 1782

Den Valdron's Fantastic Worlds of ERB Series'''''Presents

Time and Pellucidar

by Den Valdron


          All right, if you've read my other Pellucidar articles (and if you've read this far, I can only assume that you're completely hopeless) then you know I've been working on the assumption that Pellucidar is exactly what it seems:   A hollow world inside our own.In part, this notion is supported by the existence of a second hollow world, Va-Nah, inside the Moon, and by the lunar Hoos or holes between inner and outer surfaces. 

Applying this notion of Hoos to our own geologically more lively world, and we have an explanation for the proliferation of ‘lost worlds’ - Skull Island, Caprona, Professor Challenger's and Jan of the Jungle's two south American lands, Tam and Morgo's subterranean world in the Himalayas, Jongor's lost world in Australia, Burroughs Pal-Ul-Don in Africa, Carter's Zanthodon.    They're all ‘islands of Pellucidar, brought to or near the surface by temporary holdes or hoos.

It's elegant, symmetrical, explains a lot that otherwise poses problems....

And it requires some seriously wacky physics in the Burroughs Universe. 

Putting it very simply, in the Burroughs universe gravity and physics just can't work in the same way that they do in our universe.   They have to be tweaked just a little bit.

That's not a big stretch.   Because the cumulative evidence is that the laws of physics really are just a bit different from the laws here.   Otherwise Tarzan couldn't possibly get away with some of the stuff that he manages.   Otherwise, Mars and Venus are dead worlds, just like in our Universe.  Otherwise Barsoomian flyers just are not going to work.

But what if I'm wrong.

What if something completely different is going on with Pellucidar?

Reading Burroughs Pellucidar novels, there is a clue that the rules may be different than we think.  The key is time.

Now here's the interesting thing.  In Burroughs Pellucidar, time seems to run differently.   Burroughs repeatedly writes that time seems to stand still in Pellucidar, that it seems to be subjective.

Thus, a person might step away from his village and wind up having all sorts of crazy adventures.   But when, after all those adventures, he finally returns to his village, he discovers that no one has missed him because he hasn't been gone all that long.   The subjective time experienced by the village is very different from the subjective time experienced by the adventurer.

It's an important enough feature of life in Pellucidar that Burroughs refers to it over and over, in practically every book.   He attributes it to the fact the sun never sets, thus, the cycle of days and nights which allows for circadian rhythms simply doesn't happen.

I think that there's an element of real life to it.   In our subjective existence, our perception of time seems to speed up or slow down in different circumstances.  Burroughs simply magnifies this phenomenon.

Actually though, in real life, there have been experiences conducted with people in caves away from every source of light and natural circadian rhythm.   And the sense of time passing seems generally to be both steady and synchronous with other people. 

So, obviously, Burroughs just got it wrong with Pellucidar.  Or perhaps its just a feature of people in the Burroughs universe that their subjectivity is heightened.

Or maybe not. In Savage Pellucidar, we get some pretty clear statements that something is going on very very strangely with the passage of time.   Something that has to be more than just different rates of subjective perception.   David Innes writes at the outset of the novel:Neither Perry nor I show any physical evidence of the passage of time. I was twenty when the iron mole broke through the crust of Pellucidar, and I don't look nor feel a great deal older now. When I reminded Perry that he was one hundred and one years old, he nearly threw a fit. He said it was perfectly ridiculous and that Jason Gridley must have been hoaxing me; then he brightened up and called my attention to the fact that I was fifty-six. Fifty-six! Well, perhaps I should have been had I remained in Connecticut; but I'm still in my twenties down here.  In Savage Pellucidar we meet a very, very strange person.   A man so old and insane that he doesn't quite remember his own name, but he's pretty sure its not Dolly Dorcas.   He's called simply Ah Gillak.Like Innes and Perry, he's a man from the outside world.   But he's not just any man.   He was a seaman from a yankee whaling ship called the Dolly Dorcas which managed to accidentally sail or be driven north, through a temporarily open passage through the Polar ice fields into Pellucidar.

There's no reason to assume he's lying, and everyone acknowledges that he's very old.   According to Ah Gilak, his ship was lost in 1845 when he was over forty years old.  But if we take him at his word, his references to the outside world suggest that chronologically, he must be somewhere older than 150 years.

And despite his age, he's in pretty good shape.   In our world, people once they get past eighty seem to get pretty frail.  The few who make it past one hundred tend to be not much good for more than standing up and sitting down.

He's toothless and insane, but given the life he's had to live that's par for the course.   He's not a drooling gomer, instead, he's spry and nimble.  As fit and active as a man in his fifties or early sixties.

Well, look, there's physics and then there's physics.   Either in the Burroughs Universe, people are considerably more long lived and resilient than in our universe (true actually, both Barsoomians and Amtorians have incredibly long natural or artificial lifespans, Tarzan seems gifted with near immortality) or time really is operating differently.

This is what I want to explore.   Suppose that in Pellucidar, time really is moving at different rates in different places, and moving substantially more slowly than in our world, overall.   Most of the time there wouldn't be much initial difference in the course of an hour or a day, but over months or years differences mount rapidly.

If this is true, then Pellucidar may be a very different place than we have imagined.   Instead of mucking about with Newtonian mechanical physics, Pellucidar may be a place where fundamental Einsteinian or Heisenberg physics works differently.   In short, Pellucidar may be a place where time and space have fundamentally different properties.

In short, Pellucidar may not be on the inside of our or Burroughs Earth at all.   Burroughs Earth may actually be solid all the way through and more or less like our own.

Pellucidar may not actually be in our spacetime continuum at all.

If so, then what is it and how does it work?   And what conclusions can we draw?

If Pellucidar isn't actually in our spacetime continuum, its pretty solidly anchored to it.   The Polar Opening is a stable one, and seems to link stable points on both Pellucidar and our Earth.  Tarzan goes through it and comes back the same way.   Before Tarzan, Ah Gilak came through it.  And before him, the Corsairs came through.

Ralph Milne Farley’s Pellucidarean Radio Flyer and Radio Gun Runner stories also suggest that the polar opening is stable.   Meanwhile, it appears that David Innes digging machine seems to suggest that points of Pellucidar had reasonably stable relationships to points on Earth.

However, Pellucidar seems to have multiple time streams moving in it.   Pellucidar, as far as time goes, seems to be a multi-lane highway with different speeds on each lane.   Our world, our reality is a pokey one lane time road.    There's no indication that time goes backwards in Pellucidar, but by moving from one lane to another, you can play with your speed of progress.

It appears that humans in Pellucidar may tend to be drawn to or settle in the slower lanes.   Thus most occasions, time movies faster when people are off having adventures because they're climbing up into the higher speed lanes.

On the other hand, hanging around in the slow lanes probably slows development and makes you more vulnerable to visitors, human and otherwise, from faster lanes.

But here's an interesting notion.   Perhaps Pellucidar isn't even an inner world. 

In this sense, Pellucidar's moon has always been a bit of a problem.   An internal geosynchronous satellite, always rotating in a stable stationary orbit, always balanced between inner sun and inner crust, seems more than a bit unstable.   Hell, in our Universe, Phobos and Deimos are not stable satellites....   In tens of millions of years, Phobos is going to make a very big hole on Mars.

If we accept that time is doing strange things, and moving at different rates in different geographical locations of Pellucidar, then what about light?   In our universe, light is a fixed constant, part of the set of equations that govern space and time.

In Pellucidar, time is a flexible part of the equation which varies from space to space.   Which suggests that light passing through different time zones may move differently, at different rates.  It may even bend.

So light interacting with a world where time is in flux, may create distortions.   The geography of Pellucidar we observe from any one point may not represent physical reality, but be subject to distortions like a mirage.   Perhaps the biggest distortion is that instead of a flat horizon, Pellucidar's horizon seems to curve upwards, as if we were in a bowl, until it becomes indistinct.

What this implies is that Pellucidar is a regular ‘outside’ world like our own, and its ‘bowl shaped’ landscape may simply be an illusion of its particular and very peculiar physics.

But this brings us back to the question of what exactly is Pellucidar and how does it relate to our world.   Is Pellucidar a parallel world, or a pocket world.

A parallel world is basically a universe adjacent to ours, where there is a difference.   Arguably, any event which can go two different ways creates a parallel world - with two possible event decisions, two worlds are created representing each decision.   This implies infinite numbers of parallel worlds, endlessly splitting.

The parallel worlds closest to us, and the ones we're most likely able to visit, will be the ones most similar to ours.   Perhaps we're constantly drifting in and out of these parallel worlds, without ever noticing, because in most cases, the world we're visiting is simply the world where Rajneev Jaywardene of New Delhi went to work with a plaid tie instead of a blue one.

Pellucidar is a pretty seriously deformed parallel world if fundamental properties of time are diverging.   So the likelihood is that it is not a parallel world, or not one in the normal course.   Perhaps Pellucidar is so far down the continuum that its wacky physics literally ‘wormholes’ into Burroughs normal universe.

The thing with a parallel world is that it is not confined to the world but literally, comes with an entire universe.   The properties of that universe, its history, its life and age, are different.  Which poses problems.   In a universe where time flows at different rates, would we get stars?  Would stars have the same life cycle or function in the same way?  Would Earth and the Solar system have formed at all?  Or formed in the same way, or on the same timing?   Unlikely.   The most likely result of a universe where the laws of time are as variable as we see is that Pellucidar probably wouldn't have come into existence at all.

So what about pocket worlds?---- A pocket world is a sort of ‘baby universe’?   A self contained realm which is not a parallel to our Universe, but which presumably contains a different volume of mass and matter, and which might have different laws.

Science fiction writers have played with the notion of pocket universes for different purposes.   You could for instance, use it for more closet space.   Philip Jose Farmer used pocket universes for his ‘World of Tiers’ series.

The advantage of a pocket universe is that it's obviously potentially much smaller than our regular universe.   Perhaps the size of a Solar System, or a world, or a country, or even a really really huge closet.   And you can make the rules in a pocket universe as different as you'd like.

Does this mean a pocket world has to be artificial?   Not necessarily.   I think modern physics allows for the possibility of natural formations.   Indeed, a black hole, in some theories represents a pocket universe.   It's intense internal conditions literally wall it off from the physics of our universe.

So it may be that in our Universe, or more accurately, in Burroughs Universe some interaction of planet scale gravity and electromagnetism may create a local pocket world, or doppleganger world.  It may be significant that Pellucidar's permanent interfaces to our world are at the poles.   The relationship between Pellucidar and Burroughs Earth may be stabilized by electro-magnetism.

It may be that in Burroughs Universe, the process which creates a planet, and the resulting well of gravity, may also create a sort of conjoined twin or siamese twin, tied to the original world, but off in its own pocket continuum.   This would explain Va-Nah. 

Pellucidarean pocket worlds, given the fact that we have two examples already, are probably common in the Burroughs Universe.   Disappointingly though, this probably means that Barsoom's, Amtor's, Mercury's and Callisto's ‘Pellucidarean’ realms do not resemble my projections at all.  Oh well, back to the drawing board.

On the other hand, this alternate ‘pocket universe’ theory still explains the proliferation of lost worlds that Explorers were discovering.   These lost worlds are all aspect or outliers of Pellucidar.  The only difference is that instead of being extrusions of the interior world onto the surface, they're points where the pocket universe has interfaced with our universe, creating perhaps a temporary gateway, a ‘micro-universe’ or left an ‘island’ in our world.    Professor Challenger's lost world, or Caprona, are little bits of Pellucidar that have extruded into our world and become sort of sealed off.   In turn, bits of our world keep extruding into Pellucidar, which is how it accumulates all those terrestrial species.

Any evidence for this?   Well, we can assume that extrusions into the normal world may have strange properties.  Compasses probably don't work well, navigation by stars or sun, becomes unreliable due to distortions in the electromagnetic spectrum.   In short, you'd see a lot of the weird phenomena that make places like Skull Island and Caprona so hard to find.

The extrusions or interfaces may not be completely in our world, so they may only be accessible by certain routes or from certain directions.   There may only be a few ways into Pal-Ul-Don or Professor Challenger's Lost World.   You might not be able to fly in by helicopter, or even see it by satellite photograph.   It would only be perceptible to our regular world by certain ‘windows.’   Again, this explains why so many of them seem so hard to find, or to escape.   Many Lost Worlds, particularly those in later works, including television and movies, don't seem to quite be in our world.   This includes the children's show Land of the Lost, or Acclaim Comics lost world out of time.

One clue that this might be going on is that in some cases there are signs of time proceeding in these lost worlds differently.   The best example is Zanthodon by Lin Carter, where the perceptions of time's being subjective are very similar to those in Pellucidar.   In Eric Carstairs of Zanthodon, we encounter a group of displaced German soldiers from Rommel's Afrika campaign for whom far less time seems to have passed than has passed in the outside world.

There are recurring hints in some stories of a ‘Rip Van Winkle’ effect for staying in these places too long.   Most visits to places like Skull Island or Professor Challengers Lost World tend to be short, so we wouldn't expect time distortions to be pronounced.  But every now and then we find a castaway who has spent a lot of time there, and quite often, there's something a little bit odd.

Of course there are problems.   For instance, why are the Lost Worlds invariably surrounded by physical distortions....  Mountains, plateaus, swamps, etc., and why are they often accessible by apparently physical connections... twisting caverns.   This makes it seem that the Lost Worlds are geological in nature, rather than interfaces with another continuum.  And for that matter, what exactly is Pellucidar's sun?   Our sun shining down into Pellucidar's continuum?  It's own star?  Something else?   Still, if we worked hard enough, these questions could probably be answered.

The bottom line is that we can probably explain Pellucidar at least as well as a Pocket Universe as we can explain it as an Inner World.   In each case, Pellucidar can be used as the source and explanation for the multitude of other lost worlds that we encounter.

I suppose its a matter of preference which way we choose to go.   The big question is why bother at all?

I suppose I should explain myself by saying something more elaborate than that it's fun.   Pellucidar in our reality is flatly impossible.   It's just not going to happen.   It's pretty much proven that an inner world is not an option, our planet is solid all the way through, except where its molten.   Nor does modern physics really allow for a pocket universe anything like Pellucidar.   So in our world, it's not an option.

Except that in Burroughs world, Pellucidar is a reality.   If we accept Tarzan's adventures as a ‘reality’ then Pellucidar has to be ‘real’ because Tarzan goes there.   The Gridley wave is used to communicate with Barsoom, which tells us that John Carter is also in Tarzan's reality.   In the Moon Maid, communication is taking place with Barsoom, which puts that series in Tarzan's reality.   Carson goes to Venus heading for Mars, which puts him in Barsoom's and therefore Tarzan's reality.  Even in the Land That Time Forgot there's a throwaway reference to there being life on Mars.

So, Pellucidar is a part of Burroughs world.   Which means that we're entitled to ask how that could possibly work.   Any half competent scientist will tell you it can't, obviously.   But then, there's a story about Albert Einstein.   Some kid wrote in to Einstein complaining about Superman flying faster than the speed of light because this violated the theory of relativity.   Einstein wrote back that relativity was a theory, but Superman's flying faster than the speed of light was a fact.

Well, Pellucidar is a fact, at least as far as Tarzan is concerned.   Now, Philip Jose Farmer, faced with the problem of Pellucidar, simply gave up and pronounced it all imaginary.   His idea was that Tarzan existed in our real world, or at least a much closer version, and was willing to throw out anything he thought a little too unrealistic...  Which, as far as I was concerned, was just about all the fun stuff.   Sadly, the Wold Newton folk have followed this path, picking and choosing what they liked, and making up new facts as substitutes, from which they've built worlds as baroque as any fantasy.

Well, Burroughs for better or worse made it part of his world, so we shouldn't just toss it.  And if we don't toss it, we have to try and make some sort of sense of it.

In the end, we all take our choices.   I hope you've been enjoying these things.   Perhaps it'll inspire you to do some writing or speculating of your own. 

Adaptation==DC Comics began an adaptation of the novel in Weird Worlds #6, mixing it with the ending of At the Earth's Core. ==CopyrightEdit

The copyright for this story has expired in the United States, and thus now resides in the public domain there.  The text is available via Project Gutenberg

  1. Pulpdom, Nos. 64, 65, 66, 67, April, June, August, October, "Pellucidar Revisited" by Mike Taylor, published by Camille Cazedessus,
  2. 2.0 2.1 2.2 2.3 Burroughs, Edgar Rice (1930). Tanar of Pellucidar. New York: Metropolitan.
  3. 3.0 3.1 3.2 3.3 Burroughs, Edgar Rice (1930). Tarzan at the Earth's Core. New York: Metropolitan.
  4. 4.0 4.1 4.2 4.3 4.4 Burroughs, Edgar Rice (1922). At the Earth's Core. Chicago: A. C. McClurg & Co., passim.
  5. 5.0 5.1 5.2 5.3 Burroughs, Edgar Rice (1923). Pellucidar. Chicago: A. C. McClurg & Co., passim.
  6. Burroughs, Edgar Rice (1963). Savage Pellucidar. New York: Canaveral Press.
  7. Burroughs, Edgar Rice (1944). Land of Terror. Tarzana, CA: Edgar Rice Burroughs, Inc.
  8. 8.0 8.1 Burroughs, Edgar Rice (1937). Back to the Stone Age. Tarzana, CA: Edgar Rice Burroughs, Inc.
  9. Martin, John. "John Eric Holmes: Mahars of Pellucidar and Red Axe of Pellucidar".
  10. Salvatore, R.A. " Tarzan: The Epic Adventures".
  11. Template:Imdb title
  12. Valdron, Den. "Lin Carter's Literary Pellucidar"
  13. Brian Cronin, 2006, "Comic Book Urban Legends Revealed #54!" (archive)
  14. Contents listing for first edition of Maureen Birnbaum, Barbarian Swordsperson at the Internet Speculative Fiction Database

External linksEdit

Origins of Edgar Rice Burroughs’ Pellucidar Series — the Hollow Earthers By Michael D. Sellers On September 23, 2012 · 4 Comments · In ERBZINE, Featured

When we read and think about Barsoom, Amtor, and the there worlds created by Edgar Rice Burroughs it’s easy to look at the creations from the perspective of 2012 …. but a lot more interesting to look at them from the perspective of the time in which they were written. Take Pellucidar — the world within the Earth discovered by David Innes and Abner Perry. Burroughs began writing “At the Earth’s Core” in January 1913 at a time when there was a substantial body of belief that a world existed within our world — a “hollow earth” theory in which there were entrances to the inner world at one or the other (or both) of the poles.

Erbzine summarizes the Pellucidar series:

David Innes and Abner Perry build a giant mechanical prospector with which they hope to uncover vast mineral David Innes and Abner Perry build a giant mechanical prospector with which they hope to uncover vast mineral deposits far beneath the surface. On the “Iron Mole’s” first trip, however, they discover that their vehicle can’t be steered. Death seems certain, for doesn’t everyone know that the center of the Earth is a molten mass of white-hot magma? Instead what Innes and Perry discover is that the earth’s crust in only 500 miles thick and that the inner surface is inhabited. This is the land of PELLUCIDAR, a place where dinosaurs roam through the jungles, and where saber-toothed tigers hunt the mastodon and mammoth. A tiny sun, the molten core of the Earth, hangs in the center of the heavens, shedding perpetual daylight upon Pellucidar. Because the sun never sets, because it is always now, there is no such thing as time in Pellucidar! Stranger still, because Pellucidar rests on the inner side of the Earth’s crust, there is no horizon. The land curves* upwards*, as if you were standing on the inside of a gigantic bowl. Humans dwell in Pellucidar as well, stone-age men and women who must fight to survive in this savage world. Even worse, these people have been made slaves of the Mahars, a race of intelligent but sinister reptiles who look upon humans as nothing more than beast of burden or as tasty snacks in one of their ghoulish ceremonies. The struggle of David Innes and Abner Perry to free humanity from the Mahar tyranny is only the beginning of their adventures in Pellucidar. There are a total of seven books in this exciting series, in which Edgar Rice Burroughs takes you on journeys across savage seas infested with plesiosaurs and other hungry creatures, to mountains where pterodactyls roost, and to lands where every waking moment is a struggle to survive. Even Tarzan visits Pellucidar, taking a ride on a dirigible through “Symmes Hole” at the North Pole. So take a journey, via Iron Mole or dirigible, and discover for yourself the wonders, the terrors, and the excitement of Pellucidar…

The roots of “Hollow Earth” theory go back at least as far as the 17th Century, when British astronomer Edmund Halley put forward the theory that Earth consists of four concentric spheres. Under Halley’s concept, the interior or the earth was populated with life and lit by a luminous atmosphere. Under his theory the aurora borealis, or northern lights, was a phenomenon that was caused by the escape of this gas through a thin crust at the poles.

In the 1800′s John Symmes vigorously promoted the idea of an inner world and eventually received recognition in the form of “Symmes Hole” … the opening to the inner world. Symmes lobbied publicly for an expedition to the North Pole to find the entrance to the world below.

Another promoter of the hollow earth theory, Cyrus Reed Teed, promoted the idea of a hollow earth for nearly forty years, printing pamphlets and giving speeches and founding a cult called the Koreshans.

In 1906, William Reed published The Phantom of the Poles, in which he put forward the theory that the poles are entrances to the hollow Earth.

In 1913, the same year that ERB started writing At the Earth’s Core, Marshall B. Gardner published, privately, Journey to the Earth’s Interior, which postulated a hollow earth with an interior sun 600 miles in diameter.

It’s unlikely that Burroughs read all of these — it is equally unlikely that he read none of them. Burroughs’ own library contained the fictional Through the Earth, published in 1898 and written by Clement Fezandie.

Erbzine is a good source for further reading:

ERB got his ideas somewhere.Might as well have been any or all the above.Strange the David Innes character looks like Burroughs take on Bedford and Abner Perry his take on Professor Cavor from the H.G.Wells The First Men in the Moon.Two guys-one young-one old travel in an invention by the elder scientist to a strange place-?

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